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Cracking up jokes
Focus gained by abandoning treaties of virtual acceptance, and writing language of pre-tense constituencies.
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‘Queering the Pitch’: How to Find One’s Own Voice in the Classical World
Reflecting on Samuel Mariño’s and my own experience, I argue that finding our own voice can be an act of queering, defying heteronormative regimes…
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Quite Ordinary
This piece was originally published in Issue 1 of the print edition of Ordinary Matters magazine.
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An Exhibition as a Massage: A Wrap-Up
Every year, the city of Leuven becomes a meeting point for artists, performers, thinkers, and curious visitors through Artefact, a multidisciplinary festival organized by…
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The Serpent Camera of Vir Andres Hera
What I find particularly compelling in Vir’s work is the depth of his awareness of context, both quite literally — as in surroundings —…
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The Archive Not Seen, an Artist’s Notes On “Sexy Magico”
If the archive is understood to be selective, then the authority of institutional archives cannot be forgotten. Their function rests not on completeness, but…
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Quiet Inheritance
As a tourist, it was easy to stay at the level of the image: the beach, the sun, the boats… but what struck me…
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The Sacrificial Engine of the Anthropocene: From Omelas to the Congo
Through Ursula Le Guin’s short story, we can examine the violent, unseen, and sometimes neglected conditions that sustain the comfort and ease of the…
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On Embracing the Holes in My Shoes: Learning to Accept the Imperfect
Learning to love what is not beautiful goes beyond dress and has a potential for resistance.
